Bulletin Board: John King info needed Close Window   

Original Post By: Guest_Gerald Ross Date: 1/28/2005
Aloha all,

I've been surfing the web and came across the amazing music of John King on solo uke (gotta get these CD's quick). Question: what type (size) of uke(s) does he use. To me they sound like soprano or concert. Thanks in advance.
Posted By: Guest_Human Uke Date: 1/28/2005
I also admire John King's works. To my best knowledge, for his Bach CD he used a 4-string/spruce- top/koa-back standard uke that's custom-made by Italian luthier Gioachino Giussani; for the CD in Jumpin' Jims "Classical Ukulele" book, he used a plastic-finger board/natural-top concert fluke. When I saw his preformance in the 2004 Uke Fest West, he was using his concert fluke, but he is also known to play a 5-string spruce- top/mahogany-back standard Giussani when performing in other uke festivals. John King tuned his uke reentrant A-D-F#-B in his Bach CD, which to me really creates the heavenly sound that well suits Bach's music. You can find pictures of his Giussani ukes here (remove space): http://www.nalu- music.com/nalu/giussani.html
Posted By: Guest_WOW! Date: 1/28/2005
Don't think I've ever seen a pinless bridge before. Anyone else out there make them?
Posted By: Guest_Dave Means Date: 1/28/2005
Yes... I do. www.glyphukulele.com
Posted By: Guest_Shindig Date: 1/28/2005
Just curious...What are the other strings tuned to (on the 5 and 6 string) as it looks like they're not paired up strings, rather additional courses.
Posted By: Guest_CarlH Date: 1/29/2005
If not a unison pair of strings, they would be tuned in octaves. In the 1500's the MY of MDHF was tuned both high and low. Depending on the music, it could also be unison - either high or low.
Posted By: Guest_Confused Date: 1/29/2005
Carl, why not tune like a requinto or charango or any number of various other instruments? Octaves can be such a drag sometimes.
Posted By: Guest_CarlH Date: 1/29/2005
Confused, one would do that for historical reasons. The octave tuning was the tuning of the times way back when. Or so the scholars generally agree. I've got about 300 pages of tablature for instruments tuned in such a way by Murcia,LeRoy and Gorlier&Morlaye. Tuning in unison quite often will mostly work, but in some tablatures the course tuned in octaves gets used as both melody and bass. Harmonically, it would always be correct. For an example of a 1550 uke, see: http://lkbrownviolins.com/renaissance_guitar.htm
Posted By: Guest_CarlH Date: 1/30/2005
I'll take the confused award. Somehow I started thinking of double course instruments - and King's Giussani's don't qualify. Ooops.


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